Piano Lessons Near Me Cochiti Pueblo NM 87041
Learning to play the piano is something which typically we must have help with for certain, and our first thought might possibly be to find a local piano teacher. Doing this is a wonderful thought nonetheless it also presents us issues we hadn’t considered. For instance, if we live in a quiet area far away from a metropolitan area then it may very well be pretty difficult to come across precisely the style of coaching need. The piano coach could possibly be very accomplished, however will he or she specialize in the style of tunes that you are interested in, that’s the primary question.
You can’t shrug off the issue of payment and private teachers are quite expensive, as much as 50 dollars /hour in some areas, which actually is a lot of hard earned cash in anybody’s language. The highest-quality internet based programs have a vast systemof lessons at their disposal, often divided up into the musical groups of conventional, swing, blues and popular. For youngsters wanting to learn the most up-to-date hits, this is absolutely perfect. Often times, local piano instructors are older school professors giving private lessons to make make a little extra money and really don’t truly know the newesttunes at all, unless of course you really are incredibly fortunate.
Another concern is time and convenience. If by chance you have a job then you have got to find a time period that suits each of you and moreover incorporate the commute time into the formula (along with the expense of travel!) It really is easy to understand that using a local piano tutor is not all that it’s seems to be, unless of course you are really a flourishing Mozart or alternatively a child prodigy, in which case you will certainly need professional individual tuition. For everyone else, that wish to learn the piano songs weabsolutely adore rather rapidly, so we can have a little fun, web based lessons can fit the bill.
Piano Lessons Near Me Cochiti Pueblo NM 87041. The purpose of this article is to comment on and clarify the information in Piano Buyer on determining the value of a used piano. (The Piano Buyer article has since been revised to include these comments.)
Fair Market Value
Fair market value is the price at which an item would change hands between a willing buyer and a willing seller, neither of whom is compelled to buy or sell, and each of whom has reasonable knowledge of the relevant facts.
Appraisers of used pianos and other consumer goods typically use three different methods to determine fair market value: comparable sales, depreciation, and idealized value minus the cost of restoration.
The comparable sales method compares the piano being appraised with recent actual selling prices of other pianos of like brand, model, age, condition, and location. Generally speaking, this is the most accurate method of determining value when one has access to a body of information on recent sale prices of comparable items. The problem here is that, with few exceptions, it’s rare to find several recently sold pianos that are perfect matches for all these criteria. There is no central repository for sales information on used pianos, and each appraiser or technician, over a lifetime, sees pianos that are so diverse and scattered as to these criteria that they are likely to be of only limited value as appraisal guides. (Exceptions might be technicians or dealers who specialize in used Yamaha, Kawai, or Steinway pianos, brands that have attained near-commodity status in the piano business.)
Piano Buyer includes a chart, “Prices of Used Pianos,” which was compiled after querying a number of piano technicians about their memories of comparable sales of pianos of various ages, sizes, and conditions. This chart is most useful for determining the approximate value of many brands of older piano for which it would otherwise be difficult to find enough comparable sales to determine a value. Understandably, however, the price ranges shown in the chart are quite broad.
The depreciation method of determining fair market value is based on the fact that many types of consumer goods lose value over time at a more or less predictable rate. A depreciation schedule, such as the one in Piano Buyer, shows how much a used piano is worth as a percentage of the actual selling price of a new piano of comparable quality. The problem here is that so many older brands are now made by companies different from the original, in different factories and parts of the world, and to different standards, that it can be difficult or impossible to determine what constitutes a “comparable” new piano. Thus, this method of figuring value is best used for pianos of relatively recent make when the model is still in production, or for older pianos whose makers have remained under relatively constant ownership, location, and standards, and for which, therefore, a comparable model can reasonably be determined. Note that depreciation is from the current price of the model, not the original price, because the current price takes into account inflation and, if applicable, changes in the value of foreign currencies.
Piano Lessons Near Me Cochiti Pueblo NM 87041
Idealized Value Minus the Cost of Restoration
This is the difference between the cost of a rebuilt piano and the cost to restore the unrebuilt one to like-new condition. For example, if a piano, rebuilt, would be worth $50,000, and it would cost $30,000 to restore the unrebuilt one to like-new condition, then according to this method the unrebuilt piano would be worth $20,000. This method can be used when a piano needs extensive, quantifiable repair work. It’s not appropriate to use this method for an instrument that is relatively new or in good condition
Several other types of valuation are sometimes called for:
Replacement value is what it would cost to replace the used piano with a brand-new one. This value is often sought when someone has purchased an insurance policy with a rider that guarantees replacement of a lost or damaged piano with a new one instead of paying the fair market value of the used one. The problem here, again, is what brand and model of new piano to consider “comparable” if the original brand and model are no longer being made, or are not being made to the same standards. Here it may be helpful to consult the rating chart in the Piano Buyer article “The New-Piano Market Today.” Choose a brand whose relationship to today’s piano market is similar to that the original brand bore to the piano market of its day. Whatever brand and model you choose, depending on how high a replacement value you seek, you can use either the manufacturer’s suggested retail price (highest), the approximate street price (lowest), or something in between. These prices, or information on how to estimate them, can be found in each issue of Piano Buyer.
Trade-in value is what a commercial seller would pay for the used piano, usually in trade (or partial trade) for a new one. This is discounted from the fair market value, typically by at least 20 to 30 percent, to allow the commercial seller to make a profit when reselling the instrument. (In practice, the commercial seller will often pay the fair market value for the used piano, but to compensate, will increase the price of the new piano to the consumer.)
Salvage value is what a dealer, technician, or rebuilder would pay for a piano that is essentially unplayable or unserviceable and in need of restoration. It can be determined using the idealized-value-minus-cost-of-restoration method, but discounted, like trade-in value, to allow the commercial seller to make a profit.
Article Source: http://www.pianobuyer.com/articles/value.html
What is duplex scaling? Does it make much difference, and is it more difficult or time consuming to tune? And what are tone collectors? Do they make much difference?
Duplex scaling, built into some grand pianos, can be found on that portion of the string in the treble section between the back bridge pin and the hitch pin which is normally the non-speaking part of the string and dampened with a strip of cloth. Where there is duplex scaling this section is deliberately left open to resonate in sympathy with the speaking part of the string and add brightness to the upper partials. When designed properly the duplex scaling should be tuned to a fixed interval of the speaking length of the string such as a fifth, twelfth, octave or double octave. Most pianos with this feature have a factory set tuned length; some are tuneable but are rarely tuned as regularly as conventional tuning. The overall effect of a piano with resonating lengths of string producing dissonant overtones can be described either as powerful or having a tinny, cymbal-like ringing sound; larger pianos certainly benefit more from the positive qualities of duplex scaling than small ‘baby’ grands. Inevitably, the top treble section will also have a ringing section of the string between the top bridge or agraffe and the wrest pin (tuning pin). Where the piano is used in a domestic setting, this section is often damped by the tuner to achieve a clearer, less ringing sound in the treble. Pianos with duplex scaling tend to require more skill to achieve a firm tuning and therefore might take a little longer to tune.
Closely related to duplex scaling is aliquot scaling found on some Blüthner grands which consists of an extra set of strings positioned above the treble strings. These are not struck by the hammers but resonate sympathetically, being tuned in unison or to the octave above, the struck strings beneath. The effect is far more subtle than duplex scaling, some would say it has no effect at all, but is easily tuned accurately by the extra wrest pin provided.
Tone collectors are steel bolts which connect the iron frame to the back bracings of the piano. They are not fitted to all pianos and it doesn’t mean your piano is inferior for not having them! By directly connecting the frame to the external construction of the piano, designers are creating a rigid acoustical framework which reflects energy that might have otherwise been lost to the casework, back onto the soundboard where it produces a fuller, richer sound with more sustain. Most pianos produced today will have tone collectors and contribute to the overall sound quality and it would be difficult to isolate one factor in the construction of a piano to assess its effectiveness. There are many pianos which do not have tone collectors but still manage to achieve a full, rich sound with lots of sustain. Although they can be a sign of design and build quality, if you are stuck for choice between a new piano with tone collectors and one without, go for the one which has the sound quality you like.
Article Source: http://www.cambridgepianotuner.co.uk/newsite/duplex-scaling/
Piano Lessons Near Me Cochiti Pueblo NM 87041
They say that should a horse in a piano sits, granted several years here might eventually be capable of enjoy Beethoven! Seems ridiculous doesn’t it, but a feed is of truth in this old remark. Every human being has a strong fascination and yearning to learn things are structured. Then awareness becomes a strong learning resource all by itself, if your attention is piano.