Piano Lessons Near Me Ashby MA 1431

Learning to play the piano is one of those things that we need guidance on for certain, and our first thought may be to look for a local piano teacher. This is a great notion but it of course presents us obstacles we hadn’t considered. For instance, if we reside in a quiet location far away from a city in that case it might be very difficult to find exactly the kind of tuition  required. The piano instructor could quite possibly be very good, but does he or she specialize in the kind of tunes that you are curious about, that’s the primary question.

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piano teacher Ashby MA 1431Piano Lessons Near Me Ashby MA 1431

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You can’t ignore the question of cost and private tutors are quite expensive, up to $50 /hour in many places, which actually is a great deal of hard earned cash in anyone’s language. The most respected online packages have a huge systemof lessons in their software, in most cases split into the musical classes of classical, swing, blues and popular. For younger people looking to get familiar with the hottest hits, this is absolutely perfect. Many times, local piano instructors are mature school tutors giving private lessons to make make a little extra money and really don’t actually know the latestsongs in the slightest, unless of course you are very lucky.

A further concern is valuable time and convenience. If by chance you work then you have to try to find a slot that suits both of you and also incorporate the commute time into the equation (not to mention the expense of travelling!) It really is simple to understand that using a local piano tutor isn’t everything that it’s seems to be, unless you are really a emerging Mozart or alternatively a child genius, in which case you would definitely need specialist individual coaching. For the rest of us, who really want to learn the piano music welove quite quickly, so we can have a little fun, internet based courses can certainly be ideal.

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Piano–A World Of History And Class

The first piano’s had 5 octaves but by 1810 they had become 6 and by 1890 7. In the 19th century, it was to the piano’s were tougher to operate. They required muscle power to depress the keys to produce good quality sounds. However, as time went on, softer strings were made that reduced this tension. Today, Electronic keyboards are simple to operate and give you the option of a piano with out its bulk and weight.

Today, piano’s come in 2 versions: the grand piano and the upright piano. In the grand piano, the strings go away from the keys making them large. For these piano’s, big and spacious rooms with high roofs are required. Only then can they be enjoyed to the full.

The upright piano are more compact and sleek. The strings extend up and down allowing for space conservation. The company Yamaha produces some of the best products in this line.

A modern day piano has 88 keys and miner. This key set represents all 7 octaves and the miners as well.

All modern musicians face a problem however. Due to the large evolution of the piano, the compositions of greats like Mozart and Chopin are no longer meant for these instruments. The instruments that these composers used no longer exist. So a long and arduous task of interpretation is required before they can be played on the modern pianos.

Local Piano instructor Ashby MA 1431

Not withstanding the above problem, pianos have still got that beautiful sense of music about them. Today musicians like Yanni control your emotions using this instrument. Some even believe that piano music can help cure health problems. Indian classical music has such measures in its music.

Pianos have always been attractive to people who like beauty and romance. They have been appealing to classical tastes as well. Producing haunting, cheerful and beautiful music, the piano can never be forgotten. That is why so many people own them in their home and why even more wish they had one of their very own to sit at and play. There are not many things as relaxing as sitting down at your piano after a long hard days work.

Article Source: http://www.i-love-piano.com/articles.php?001

 

piano teacher Ashby MA 1431

Piano Lessons Near Me Ashby MA 1431

Unequal Music and the Dominance of ET

As well as indicating frame of mind, temper means to adjust the frequency differences between the notes of a scale to allow modulation into other keys, from the Latin temperare: to mix. Why are the notes of a scale tempered, and is it still possible to play in any key if they are not? The conventional way of answering the question of temperament usually requires considerable mathematical ability which can be daunting, so I’ll try to demonstrate it another way.

Imagine that The Octave is a container, a shoebox into which we must fit the notes within an octave. An octave is so called because it contains the eight notes which make up the scale. In Western music this is further divided into twelve semitones or thirteen if you count the fundamental twice, thus; C,C#,D,D#,E,F,F#,G,G#,A,A#,B,C. As this is a theoretical scale, we can make it perfect, that is without any tempering (or tampering) at all. Here’s the problem – the thirteen semitones won’t fit in the box. Something is wrong, either The Octave is the wrong size or there are too many notes. Pythagoras was supposed to have noticed this anomaly and in his era there was a strict hierarchy to most things in life, including musical intervals. The Octave was considered the most pure interval and it works beautifully in terms of musical satisfaction and mathematics. Double the frequency of A440 and you get A880, a perfect octave. Next in the hierarchy is the fifth, arguably the most musically pleasing interval; in its pure, untempered form both notes of the fifth share many of the same overtones.

Pythagoras also discovered that if you play a cycle of twelve perfect fifths (start at bottom A on the piano ascending in fifths until you reach another A which will be top A) and compare that mathematical frequency (the number of cycles per second) with the same seven perfect octaves, bottom A to top A, there is a discrepancy of about a quarter of a semitone! To be precise, it’s 23 cents where a cent is one hundredth of a semitone in equal temperament. In every other aspect of Nature, there is a flawless symmetry which appears to lacking here. This small but crucial discrepancy is called the Pythagorean Comma and that is the amount by which the thirteen notes of our scale are too big for the The Octave shoebox.

The solution to this problem is somehow to squeeze or temper the notes of the scale to accommodate the comma which will mean compromising the purity of some of the intervals.  Obviously, we cannot alter the octave itself and the fifth is too sacred, too precious to alter, or so it would seem. Pythagoras devised a simple temperament where the fifths are tuned pure and the comma is loaded onto the final fifth turning it into a wolf note which is virtually unusable. Other systems of temperament dissect the comma and distribute the little packets of disharmony around the intervals of the octave so that the compromise is shared among several or many notes; the more notes are compromised, the less the impact or ferocity of the wolf notes. These wolves may not be that unpleasant; in the right place and context they can add rather than detract from the harmony of the music.

Equal Temperament, the one we all know and have grown accustomed to, the temperament to which I will tune your piano unless you request otherwise, is the biggest compromise of all. With the exception of the octaves, all notes within the scale are not where they should be but slightly de-tuned so that successive notes going up in semitones are exactly equal in distance from each other, making all the keys equally discordant.

Within these two extremes of dividing the comma between one note and twelve notes are many temperament variants which can offer a far more interesting listening experience than equal temperament. In striving for equality in all possible key signatures, equal temperament sacrifices any differences there may be between the keys in terms of key character. One could question the point of writing a piece of piano music in C# major when it sounds exactly the same as it would in C major, merely transposed up a semitone. It is also wrong to think that the ability to play in any key is the sole reserve of equal temperament. Most historic temperaments, for these were used right up to the 1900’s, are perfectly capable of being used in any key; wolf notes are generally tamed by being spread over several intervals and the resultant mild discordance can be used to great effect in adding colour and interest.

Equal temperament has no pure fifths, no pure fourths, thirds or sixths. All are compromised for the sake of equality. All other temperaments have purity in some intervals balanced by tension in others which can lead to wonderful conflict and resolution in music, made all the more satisfying because they are more dramatic. Equal temperament is not a new discovery – it was known to the ancients, certainly Pythagoras, but firmly rejected because of its blandness. There is a common misapprehension that JS Bach wrote The Well-Tempered Clavier ( two sets of preludes and fugues, one in each major and minor key, known as The Forty-Eight) to illustrate the flexibility of equal temperament. Actually, he wrote them to illustrate the beauty and flexibility of well temperament which is very different from equal temperament in that the twelve notes of the scale are distributed unevenly to allow for differences in the character of each individual key whilst retaining the ability to play in the various keys. When we listen to a recording of The Forty-Eight in equal temperament, we are rather missing the point – the subtleties of Bach’s choice of intervals and other musical decisions remain inaudible. Most editions of this music carry a facsimile of the original title page – a closer look at the set of squiggles at the top of this page will reveal, with a little deciphering, Bach’s temperament, the well-temperament he used and devised for his Well-Tempered Clavier.

Piano Lessons Near Me Ashby MA 1431The mood or temper you would like to invoke in a composition will influence your choice of key; dramatic effects can be achieved when the music modulates from one key signature to another. Equal temperament on a fixed keyboard instrument such as a piano has no key character because it merely transposes when modulating. Equal temperament on an instrument where the pitch of a note is determined at the time of playing, such as a violin, is a modified form of ET – intervals can be slightly adjusted to suit the key signature and the temperament becomes unequal.

Equal temperament has only been in general use for the last hundred years or so yet it has dominated so much that any other temperament now sounds strange and exotic to our modern ears. If you have the opportunity, listen to music recorded using other temperaments such as Vallotti, 1/6th Comma Meantone, Kirnberger, Werckmeister III, or any of the alternatives; you may never hear music in quite the same way again.

 Article Source: http://www.cambridgepianotuner.co.uk/newsite/unequal-music-and-the-dominance-of-et/
Piano Lessons Near Me Ashby MA 1431
 

Online piano lessons should involve a great deal more than giving you sheet music and audio examples. Like, from all pupils are very distinct and want to understand different types of audio conventional to punk, or place place. Along with that, we all earn differently too. The top online piano courses have sources of lessons for every single kind of music possible.

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